Review

Attention all Norma Jean fans: O God, the Aftermath is about as big of a progression as you can take from one album to the next. After a lead singer switch from Joshua Scogin to Cory Brandon, Norma Jean are deeper and more intense than before. Brandon brings a slightly more melodic edge to the mix than was found on their previous album Bless the Martyr and Kiss the Child which meshes well with the band’s musical growth and maturity that you would expect to come from relentless touring and a three year span in between albums.

Album opener, "Murderotica," slams through with a more developmental forefront than could be previously expected, grabbing listeners' attention and never lets go until the last track, "Scientifiction," growls to an end. Mysteriously, Norma Jean are now reloaded with the depth to make O, God twist and turn enough to remain brutal yet refreshing while still occasionally recalling their Pantera-esque riffing that was a staple on Bless the Martyr.

If the tight new progression of Norma Jean's sound isn't enough to capture your ears, then go beyond the music to the vaguely creative lyrics that are always undermined by the band's strong Christian faith. The Aftermath is a true testament that Christianity doesn't have to be spread through corny lyrics or poppy choruses. Norma Jean's new found maturity and tighter style is what carries O God, the Aftermath to be a success through a crowded and painstakingly monotonous, but growing, metal scene.

Review by Jason Schleweis

4 out of 5